Presuppositions

From this definition of the term it is evident that instead of being, in the order of thought, the first religious truth which we embrace, upon which, subsequently, the entire fabric of true religion rests, it is the last and crowning attribute of those sacred books from which we derive our religious knowledge. Very many religious and historical truths must be eetablished before we come to the question of inspiration; as, for instance, the being and moral government of God, the fallen condition of man, the fact of a redemptive scheme, the general historical truth of the Scriptures, and the validity and authority of the revelation of God’s will, which they contain — i. e. the general truth of Christianity and its doctrines. Hence it follows that, while the inspiration of the Scriptures is true, and, being true, is a principle fundamental to the adequate interpretation of Scripture, it nevertheless is not in the first instance a principle fundamental to the truth of the Christian religion. In dealing with skeptics it is not proper to begin with the evidence which immediately establishes inspiration, but we should first establish theism, then the historical credibility of the Scriptures, and then the divine origin of Christianity. Nor should we ever allow it to be believed that the truth of Christianity depends upon any doctrine of inspiration whatever. Revelation came in large part before the record of it, and the Christian Church before the New-Testament Scriptures. Inspiration can have no meaning if Christianity is not true, but Christianity would be true and divine — and, being so, would stand — even if God had not been pleased to give us, in addition to his revelation of saving truth, an infallible record of that revelation absolutely errorless by means of inspiration.

In the second place, it is also evident that our conception of revelation and its methods must by conditioned upon our general views of God’s relation to the world, and his methods of influencing the souls of men. The only really dangerous opposition to the Church doctrine of inspiration comes either directly or indirectly, but always ultimately, from some false view of God’s relation to the world, of his methods of working, and of the possibility of a supernatural agency penetrating and altering the course of a natural process. But the whole genius of Christianity, all of its essential and most characteristic doctrines, presuppose the immanence of God in all his creatures, and his concurrence with them in all of their spontaneous activities. In him, as an active, intelligent Spirit, we all live and move and have our being. He governs all his creatures and all their actions, working in men even to will and spontaneously to do his good pleasure. The currents, thus, of the divine activities do not only flow around us, conditioning or controlling our action from without, but they none the less flow within the inner current of our personal lives, confluent with our spontaneous self-move-’ ments, and contributing to the effects whatever properties God may see fit that they shall have.

There is also a real logical and ideal, if not a physical, continuity between all the various provinces and methods of God’s working: providence and grace, the natural and the supernatural, all constitute one system in the execution of one plan. All these agents and all these methods are so perfectly adjusted in the plan of God that not one interferes with any other, and all are so adjusted and controlled as that each works perfectly, according to the law of its own nature, and yet all together infallibly bring about the result God designs. In this case that design is a record without error of the facts and doctrines he had commissioned his servants to teach.

Of the manner in which God may inform and direct a free intelligence without violating its laws we have a familiar analogy in Nature in the relation of instinct to free intelligence. Intelligence is. personal, and involves self-consciousness and liberty. Instinct is impersonal, unconscious, and not free. Both exist alike in man, with whom intelligence predominates, and in the higher animals, with whom instinct predominates. In every case the instinct of the creature is the intelligence of the Creator working through the creature’s spontaneity, informing and directing, yet never violating any of the laws of his free intelligence. And in Nature we can trace this all the way from the instinct of the bee, which works mechanically, to the magic play of the aesthetic instincts, which largely constitute the genius of a great artist. We are not absurdly attempting to draw a parallel between natural instinct and supernatural inspiration. But the illustration is good simply to show that as a matter of fact God does prompt from within the spontaneous activities of his intelligent creatures, leading them by unerring means to ends imperfectly discerned by themselves; and that this activity of God, as in instinct or otherwise, does not in any wise reveal itself, either in consciousness or in the character of the action to which it prompts, as interfering with the personal attributes or the free rational activities of the creature.