Making Life a Song
u In the still air the music lies unheard;
In the rough marble beauty hides unseen; To make the music and the beauty needs The master’s touch, the sculptor’s chisel keen.
Great Master, touch us with thy skilful hands;
Let not the music that is in us die! Great Sculptor, hew and polish us; nor let,
Hidden aad lost, thy form within us lie!
. Horatius Bonar.
A beautiful scrap of instruction out of old rabbinical lore tells us that there are in heaven two kinds of angels — the angels of service and the angels of praise. The latter are of a higher order than the former. No one of them praises God twice, but having once lifted up his voice in the song of heaven, he ceases to be. He has perfected his being. His song is the full flower and perfect fruit of his life, that for which he was made. He has now finished his work, and his life is breathed out in his one holy psalm.
There is in this delightful fancy a deep truth, that the highest act of which an immortal life is capable is praise. The unpraising life has not yet realized its holiest mission. It has not yet borne the sweetest, ripest, best fruit, that which in God’s sight is most precious of all. In heaven all life is praise, and we come near heaven’s spirit only as we learn to praise.
No other duty is enjoined so often in the Scriptures as praise. There are not so many texts about prayer as there are about praise. The Bible is full of music. The woods in the summer days are not so full of bird-notes as this sacred book is of voices of song. Christian life can realize the divine thought for it only by being songful. The old fable of the harp of Memnon, that it began to breathe out sweet music the moment the morning light swept its chords, has its true fulfilment in the human soul, which, the instant the light of divine love breaks upon it, gives forth notes of gladness and praise.
MAKING LIFE A SONG. 6*J
The gift of song is one of the noblest endowments bestowed upon mortals. But there is a music that is not vocal. Every one should be able to make music in the world though he cannot sing a note. Milton says that he who hopes to write well in laudable things, ought himself to be a true poem, that is, a composition of the best and noblest things. One cannot really sing songs that will be music in God’s ears, whose own life is not first a song in its sweetness and beauty.
It is a great thing to write a hymn that lives. To have composed such a song as the Twenty-third Psalm, “Rock of Ages, cleft for me,” or “Jesus, Lover of my Soul,” is one of the noblest achievements possible in the world. Think what a ministry such songs have had, how many lives they have blessed, how much sorrow they have comforted. No other human service can be more blessed than to be permitted to give to the world a sweet song which shall go singing on its way through generations. Yet we cannot all write hymns. We are not all poets, gifted to weave sweet thoughts into rhythmic verse that will charm men’s souls. We cannot all make hymns which shall become as angels of peace, comfort, joy, or inspiration to weary lives. To only a few men and women in a generation is the poet’s tongue given.
But there is a way in which we may all make songs; we can make our own life a song if we will. It does not need the poet’s gift and art to do this, nor does it require that we shall be taught and trained in colleges and universities. The most unlettered man may live so that gentle music shall breathe forth from his life through all his days. He needs only to be true and loving. Every beautiful life is a song.
There are many people who live in circumstances and conditions of hardness and hardship, and who seem to make no music in the world. Their life is of that utterly prosaic kind that is devoid of all sentiment, which has no place for sentiment amid its severe toils and under its heavy burdens. Even home tendernesses seem to find little opportunity for growth in the long leisureless days. Yet even such lives as these, doomed to hardest, dreariest toil, may and ofttimes do become songs which minister blessing to many others. The other day a workingman presented himself for admission to the church. He was asked what sermon or appeal had led him to take this step. No sermon, no one’s word, he answered, but a fellow-workman for many years at the bench beside him had been so true, so faithful, so Christlike in his character and conduct, in his disposition and temper, that his influence had brought his companion to Christ. This man’s life, amid all its hardness, was a song of love.
There are many people living in the midst of unattractive circumstances, amid hardship, toil, and care, whose daily life breathes out gentle music which blesses others about them. They do no great services, but they crowd the hours with little ministries which fall like silver bellnotes on weary hearts. They are faithful in all their commonplace duties. They are patient under all manner of irritating experiences. They keep happy and contented even in times of suffering and need, cheerful and trusting even in want. They live in quiet harmony with the will of God, making no jarring discords by insubmission or wilfulness. Thus in their lowly sphere they make music which is sweet to the ear both of God and man.
God wants our life to be a song. He has written the music for us in his Word and in the duties that come to us in our places and relations in life. The things we ought to do are the notes set upon the staff. After the music is written faultlessly, the singer or the player must render it perfectly, or there will be discord. We all know how one untrue voice may mar even the noblest music by singing falsely. To make our life beautiful music we must be obedient and submissive. Any disobedience is the singing of a false note and yields discord. Any insubmission breaks the melody. Obedience and joyous submission make glad music.
But how much broken music there is in most of our lives! We fail in love’s duties. Envious thoughts and feelings, jealousies, bitterness, anger, resentment, selfishness, all unloving words, acts, and tempers, are harsh discordances which spoil the melody. Pride mars
MAKING LIFE A SONG. Jl
it; so does a violent temper. Certain hideous sounds made on musical instruments are called “wolf-notes.” There are wolf-notes made sometimes in human lives — anger, hate, lust, the wild utterances of passion. But we ought to strive to make only sweet music.
Our circumstances cannot always be easy. We cannot always have our own way. There will be many things, in the most favored lot, which would naturally jar upon the chords of our life. But we should learn so to live as to yield only the music of love and peace, whatever our experiences may be.
“Our lives are songs; God writes the words,
And we set them to music at pleasure; And the song grows glad, or sweet, or sad,
As we choose to fashion the measure. We must write the music, whatever the song,
Whatever its rhyme or metre; And if it is sad, we can make it glad,
Or if sweet, we can make it sweeter.”
A perfectly holy life would be a perfect song. In heaven this ideal melody will be attainable. There these life-harps of ours will be perfectly attuned, and we shall have learned the lessons of love so well that we shall never strike the wrong note. At the best on the earth, however, our lives are imperfect in their harmonies, like instruments not yet in tune. If we are indeed in Christ’s school we are ever coming nearer and nearer in our renewed nature to the perfect divine likeness, and are learning to make sweeter and sweeter music as the days go by.
We need to learn well the truth that only the Master’s hand can bring out of our souls the music that slumbers in them. A violin lies on the table, silent and still. We know that it is capable of giving out marvellous music. One weak hand takes it up and begins to draw the bow across the strings, but it yields only harsh, wailing discords. Then a master comes and takes it up. First he puts the strings in tune, and then he brings from the little instrument most entrancing strains. Our lives are like this violin. They are capable of producing rich and beautiful melody. But they must be skilful hands that touch the chords.
There are some people who seem able to bring out the best that is in us. Under their in-MAKING LIFE A SONG. J^
fluence we are stimulated and inspired to noble and beautiful things. There are teachers who have wonderful power in finding and drawing out the best elements in the lives of their pupils. There are parents under whose wise and gentle touch the hearts of their children yield all beautiful qualities. We all have friends whose influence over us is genial and kindly. We are conscious of being drawn ever toward goodness and truth and purity when with them. They arouse in us noble longings and aspirations. They call out our best endeavors and our gentlest and kindliest dispositions. Others there are whose touch upon our life is uncongenial and unkindly, like the playing of an unskilled person upon a musical instrument. They arouse not our better, but our worse natures. They bring from us not sweet music, but jarring discord.
There is only One who can take our lives with all their fault and sin, their broken strings and jangled chords, and bring from them the music of love, joy, and peace. It is related that once Mendelssohn came to see the great
Freiburg organ. The old custodian, not knowing who his visitor was, refused him permission to play upon the instrument. At length, however, after much persuasion, he granted him leave to play a few notes. Mendelssohn took his seat, and soon the most wonderful music was breaking forth from the organ. The old man was spell-bound. At length he came up beside the great master and asked his name. Learning it, he stood humiliated, self-condemned, saying, “And I refused you permission to play upon my organ!” There comes One to us and desires to take our life and play upon it. But we withhold ourselves from him and refuse him permission, when if we would but yield ourselves to him, he would bring from our souls heavenly music.
“We are but organs mute, till a master touches the keys — Verily vessels of earth into which God poureth the wine; Harps are we, silent harps, that have hung in the willow trees, Dumb till our heartstrings swell and break with a pulse divine.
It is often in sorrow that our lives are taught their sweetest songs. There is a story of a German baron who stretched wires from tower to tower of his castle, to make a great ^Eolian harp. Then he waited and listened to hear the music from it. For a time the air was still and no sound was heard. The wires hung silent in the air. After a while came gentle breezes, and the harp sang softly. At length came the stern winter winds, strong and stormlike in their forces. Then the wires gave forth majestic music which was heard near and far. There are human lives that never, in the calm of quiet days, yield the music that is in them. When the breezes of common care sweep over them they give out soft murmurings of song. But it is only when the storms of adversity blow upon them that they answer in notes of noble victoriousness. It takes sore trouble to bring out the best that is in them.
“Spare not the stroke! do with us as thou wilt!
Let there be nought unfinished, broken, marred; Complete thy purpose, that we may become Thy perfect image, thou our God and Lord!”
Come what may, we should make our lives songs. We have no right to add to the world’s discords or to sing any but sweet strains in the ears of others. We should start no note of sadness in this world which is already so full of sadness. We should add something every day to the stock of the world’s happiness. If we are truly Christ’s and walk with him we cannot but sing. If we live according to the law of God, which is really the law of our own inner spiritual life, our lives should be sweet songs. ’
“By thine own souPs law learn to live; And if men thwart thee, take no heed, And if men hate thee, have no care —
Sing thou thy song, and do thy deed; Hope thou thy hope, and pray thy prayer, And claim no crown they will not give.”